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Halloween, Día de los Muertos, an Obama musical, Hamilton, and much more.
REVIEW: In Maria Marten, Legitimate Performance Meets Variety Entertainment
Philadelphia Artists’ Collective’s delightful show captures the delights—and some of the poignant heart—of early melodrama.
REVIEW: 11th Hour’s Big Red Sun Leaves Big Lingering Questions
This serious, ambitious show feels like its still a work in progress.
REVIEW: At Lantern’s Don’t Dress for Dinner, There’s a Heavy Hand in the Kitchen
Less here would be so much more.
The 20 Biggest, Baddest and Best Concerts to See This Summer
Your guide to a truly epic season of live music.
REVIEW: Fun Home at the Arden Theatre Is Family Drama Seen Up Close
This accomplished, moving production puts the audience’s imagination to work.
REVIEW: Inis Nua’s Charolais is a Bovine Comedy
The wonderful Corinna Burns shines especially brightly in this droll, delightful show.
Grab a blanket and catch al fresco showings of old favorites, new favorites, and lots of family-friendly films.
Vintage pinball, lesbian pop-ups, one magical house, and a roller coaster that makes us say “hell nah.”
REVIEW: Orbiter 3’s A People: Show Far, Show Good
Whether this earnest, winning piece is a successful play is an open question.
REVIEW: In Turning Off the Morning News, Christopher Durang Returns with a Bang
This brilliantly acerbic, absurdist comedy gleefully thumbs its nose at trigger warnings.
REVIEW: Reliving the ‘60s with Catch-22 at Curio Theatre
Is this once-iconic satire still viable, or a historical curiosity? That is the question.
Four Local Bands You Need to See This Month
The amount of musical talent coming out of Philly lately is unprecedented.
REVIEW: In Our Few and Evil Days at Inis Nua, Family History Goes Awry
What’s most unsettling here happens quietly in the shadows.
Your handbook on fun ways to survive — and thrive — during the coldest time of the year
Here’s the best of the best to add to your calendar.
People Are Literally Selling Their Bon Jovi Tickets for $6
You can see Bon Jovi in Philly for less than the cost of a cheesesteak.
REVIEW: In 1812 Productions’ Hope and Gravity, Romance has its Ups and Downs
Michael Hollinger’s funny and clever play could use more gravity.
REVIEW: Sing the Body Electric at Theatre Exile is a World Lit by Lightning
In Michael Hollinger’s perplexing but enchanting play, getting there is the best part.
REVIEW: A Sparkling and Poignant La Traviata at AVA
The vocal standards are high, and the pleasure of discovering new talent always exhilarating.
