David Fox

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Clara Brennan’s occasionally implausible but mostly inspiring love-letter to libraries gets a fine production at Inis Nua.

A terrific production at Philadelphia Theatre Company of Ike Holter’s new play is by turns energetic, optimistic, and bittersweet.

InterAct launches the Drake Theatre in high style — there are peaks and valleys in Kristoffer Diaz’s script, but the production is a triumph.

This dazzlingly smart, heartbreaking, genre-defying theater piece about the great Clara Bow (and much more) should be seen by every lover of theater and film.

Ben Dibble is luminously sweet, but the frantic production sometimes undercuts the play’s gentle charm.

Bruce Graham’s behind-the-scenes saga of Bert Lahr in Waiting for Godot is nowhere near as good as the real story.

August Wilson’s great play in a fine production that hits all the right notes.

Eugene O’Neill’s last completed play finds transcendent grandeur in its second half

Blanka Zizka’s direction is visually brilliant, but sometimes the human dimension gets lost.

Including Cynthia Nixon’s Steve.

Michael Ogborn’s musical is at its best when evoking the quirks and follies of our home city, especially the local accent.

It has never looked better than in this revival.

The sense of containment at the heart of Ibsen’s classic has never been more vividly depicted than in Laurel Tree’s production.

His act will include songs from contemporary artists like Rufus Wainwright and Aimee Mann.

A dazzling visual production, though suspense is in short supply.