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InterAct’s elegant but bare-bones production rarely achieves lift-off.
Irish Heritage Theatre does honor to Brian Friel’s lyrical play.
The Arden’s sometimes wonderful riff on The Seagull is far subtler than it sounds
Azuka’s Theatre’s cynicism-free production is a breath of fresh air.
Opera Philadelphia’s scores points with its highly entertaining, visually spectacular production
With this flawed but powerful new work, Opera Philadelphia is on a significant upward trajectory.
At Lantern Theater, a great actress shines as Shaw’s bewitching anti-heroine
Nilo Cruz’s high-minded but dramatically inert play proves drier and less romantic than it sounds.
The Walnut Street Theatre’s often-smashing production is at its exuberant best in the ensemble scenes.
The married actors perform at the Merriam Theater on Saturday, August 20.
Ray Didinger’s play, a natural fit for Philly sports fans, is always enjoyable, but not often more than that.
Charles Busch’s delectable theatrical fantasia sends up beloved movies with skill, affection, and impish glee.
Ginger Dayle’s heartfelt work-in-progress has gotten more attention than perhaps even its creator wants.
Maharaj’s production of Don’t Bother Me, I Can’t Cope opens at Freedom Theatre on Thursday, July 21.
A young and talented cast deliver the show with unflagging energy and charm.